The Ensemble of Contemporary Music was founded by the homonymous course of the Conservatory "Luigi Cherubini" and the new system collects students enrolled in undergraduate and graduate experimental. By its nature, therefore, is not a stable, but varies from year to year depending on enrollment and accessions to the matter. The main purpose of the course is to give participants a first contact with the music of the twentieth century, virtually absent from the academic programs of the conservative Italian. Particular attention is given to those authors who have previously worked in the Florentine area or within the same Cherubini. Luigi Dallapiccola, Pietro Grossi, Clemente Terni (of which this year marks the tenth anniversary of his death), and the six members of the Schola Fiorentina (Carlo Prosperi, Sylvano Bussotti, Arrigo Welcome, Reginald Smith-Brindle, Bruno Bartolozzi, Alvaro Company) are the authors that the EMC attends more, with the intent to discover, evaluate and disclose the scores that have marked the history of new music in Florence after the war.
Beyond that the EMC is the tool through which you realize many of the scores produced by the classes of composition. Students composers, selected by their teachers, working shoulder to shoulder with the musicians that make up the Ensemble. They build their new songs and so have the opportunity to experience the ways that will lead them to define their own language and to refine their own means of expression. This collaboration and this comparison give astonishing results: a mutual desire for knowledge and deepening their powers, those of the authors and performers, in the common awareness of the complementary roles of each.
The program that the EMC will offer visitors to Florence Contemporary Sounds, focuses on six pieces by Florentine, students of composition of the Conservatory. How we frame a piece of anti-avant-garde Hans Werner Henze and an example of the Italian: Consonant of Niccolò Castiglioni, a song dedicated to Wolfgang Steinecke, founder of Ferienkurse Darmstadt. Arrigo Benvenuti, a member of the Schola Fiorentina, FroBorSal's Trio, a predominantly graphic score, which fully reflects the trends of the music of the seventies. FroBorSal stands for Frosali, Borghese and Saldarelli, the three components of the Guitar Trio Italian, to whom the piece is dedicated.
Eleonora Bellocci soprano
Valeriya Matrosova soprano
Wu Shan soprano
Shi Songling soprano
Adina Vilichi soprano
Cao Wen soprano
Nadejde Suzana mezzosoprano
Davide Cusumano tenore
Kaveh Faraji baritono
Claudio Mugnaini baritono
Alice Cinotti flauto
Francesca Dolce flauto
Nevena Majdevac oboe
Luka Boskovich clarinetto
Davide D’Errico clarinetto
Alberto Baroni sassofono
Simone Brusoni sassofono
Giulio Ottanelli sassofono
Giovanni Finocchiaro chitarra
Fabrizio Filesi chitarra jazz
Anastasiya Byshlyaha pianoforte
Anna Farkas pianoforte
Han Xiao pianoforte
Li Qiaoling pianoforte
Andrea Sevieri pianoforte
Kim Seonmi pianoforte
Enea Bernasconi harmonium
Giulia Guerrini violino
Anna Laura Malpelo violino
Kasumi Yanagiura viola
Giuditta Ara violoncello
Leonardo Ascione violoncello
Ginevra Pruneti violoncello
Giulio Marignetti contrabbasso
Francesco Perissi live electronic
Gregorio Panerai live electronic
Luciano Garosi direttore
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L. Dallapiccola (1904-1975) |
Divertimento in quattro esercizi (1934)
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Eleonora Bellocci soprano Alice Cinotti flauto Nevena Majdevac oboe Luka Boskovich clarinetto Kasumi Yanagiura viola Leonardo Ascione violoncello
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G. Centorbi (1988)
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Oceano (2015)
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Nadejde Suzana mezzosoprano Alberto Baroni sassofono Anna Farkas celesta Han Xiao pianoforte Anna Laura Malpelo violino Ginevra Pruneti violoncello
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D. De Carolis (1988)
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Il Ciciarampa (2015)
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Adina Vilichi soprano Eleonora Bellocci soprano Simone Brusoni sassofono soprano Giulio Ottanelli sassofono alto Alberto Baroni sassofono baritono Li Qiaoling celesta Han Xiao, Andrea Sevieri pianoforte a 4 mani
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C. Papi (1972)
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Qua, dove non fui mai (2015)
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Valeriya Matrosova soprano Eleonora Bellocci soprano Alice Cinotti flauto Simone Brusoni sassofono alto Anna Farkas, Han Xiao pianoforte a 4 mani Francesco Perissi, Gregorio Panerai live electronic
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E. Bernasconi (1979)
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Maturazione ciclica I Maturazione ciclica II (2015)
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Adina Vilichi soprano Eleonora Bellocci soprano Davide D’Errico clarinetto Enea Bernasconi harmonium Han Xiao pianoforte Giulia Guerrini violino Anna Laura Malpelo violino Leonardo Ascione violoncello Ginevra Pruneti violoncello Giulio Marignetti contrabbasso
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I. Caselli (1986)
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Hymnus (2015)
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Shi Songling soprano Cao Wen soprano Wu Shan soprano Francesca Dolce flauto Han Xiao celesta Anastasiya Byshlyaha pianoforte Giuditta Ara violoncello
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A. Giccone (1986)
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L’attesa (2015)
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Adina Vilichi soprano Eleonora Bellocci soprano Nadejde Suzana mezzosoprano Claudio Mugnaini baritono Francesca Dolce flauto Andrea Sevieri, Kim Seonmi pianoforte a 4 mani Anna Laura Malpelo violino Leonardo Ascione violoncello Giulio Marignetti contrabbasso
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C. Shekari Oreh (1988)
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Before the Execution (2015)
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Kaveh Faraji baritono Alice Cinotti flauto Han Xiao celesta Anna Laura Malpelo violino Giulia Guerrini violino Leonardo Ascione violoncello Ginevra Pruneti violoncello Giuditta Ara violoncello
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F. Oliveto (1974)
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Palpito d’ombra (2015)
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Giovanni Finocchiaro chitarra Fabrizio Filesi chitarra jazz Han Xiao celesta Anastasiya Byshlyaha pianoforte Anna Farkas clavicembalo
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C. Prosperi (1921-1990) |
Canti dell’ansia e della gioia (1980)
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Valeriya Matrosova soprano Davide Cusumano tenore Francesca Dolce flauto Nevena Majdevac oboe Luka Boskovich clarinetto Alberto Baroni percussioni Kim Seonmi clavicembalo Anna Laura Malpelo violino Giulia Guerrini violino Kasumi Yanagiura viola Leonardo Ascione violoncello
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